The only communication of what's going on? A message on the TV to stay indoors and await further instructions. Suddenly the house becomes completely covered in a black substance and impossible to leave. With the whole family round for Christmas things always go wrong, but not normally like this. The Thing is only available to rent or buy on VOD in the UK but is streaming on Peacock and AMC+ stateside. Kurt Russell and Keith David star in this graphic classic that is guaranteed to give you trust issues and probably a few flamethrower burns. Working on a remote base in Antarctica is hard enough but when anyone could be The Thing, it's probably time to start firing out a few resumes. John Carpenter's masterpiece is another that'll keep you awake at night. Happy Death Day is available to rent from most VOD sources in the UK while American fans can watch on Fubo or FXNOW. A genuinely fresh and funny take on the genre, the sequel is functional but not essential. ![]() Unbelievably, if that doesn't sound like enough, there's also a pretty strong rom-com in here too. Every day ends with her being murdered by a baby-faced serial killer. ![]() College student Tree (real name Theresa) is living a Groundhog Day nightmare with a horrible twist. And then in the last 20 or so minutes of the film, things get totally unhinged, in a way that is simultaneously terrible but also, consider this, genius! A social commentary-comedy-and-maybe-semi-biopic wrapped up as a horror movie? Either way, you’ll probably never be able to look at a baby, or a sink, the same way ever again.This Blumhouse horror/comedy is a modern must-watch, especially with friends. The un-raveling first happens slowly, little off-kilter details that, if you’re a decent human being with some understanding of social manners, will unsettle you. One day the door bell rings, shattering the fragile peace they’ve established, figuratively and eventually literally. Lawrence’s character spends most of her day renovating their new abode, while Bardem, a writer, suffers through writers block. mother! follows an isolated couple (played by Jennifer Lawrence and Javier Bardem) in their big, empty house in seemingly nowhere. But I maintain to this day that it’s still a work of incredible art. It’s true - Darren Aronofsky’s 2017 film, a heavy-handed biblical-climate change-autobiographical metaphor, is a bit of a mess, one that starts off intriguing and quickly veers into absurdism. Nobody knew what mother! was about, and when they found out, they hated it. The movie evokes a strong, cinema-specific delirium that feels kind of like magic - in telling a story touching on such varied themes as the weight of history, social-climbing, and the sway of religion, Ganja & Hess exhibits a jazzy power unique to any horror film made then or since. After suffering an attack with a haunted dagger, he inherits an insatiable bloodlust that manages to corrupt his love interest, the haughty socialite Ganja (played by Marlene Clark). Duane Jones ( Night Of The Living Dead) plays Hess, an academic researching blood-drinking African tribes. The director’s cut is experiencing a renaissance, and remains a nightmarish fever dream reimagination of the vampire myth. 1973’s Ganja & Hess, Gunn’s second, saw only a small theatrical run and was heavily edited by its distributors before releasing on home video. ![]() ![]() It should not be surprising that Bill Gunn, a black American actor and playwright who began working in movies in the late ‘60s, had the limitless potential he displayed in two released feature films squandered (his debut work Stop remains unseen due to legal issues).
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